“If you hear a voice within you say ‘you cannot
paint’, then by all means paint, and the voice will be silenced. “
-
Vincent
Van Gogh.
My first
introduction to this world was Monet’s ‘Water
Lilies’ sitting elegantly in a frame of the movie ‘Titanic’. Few moons later,
it had struck me, with all its radiance, hence sparking a light to the quest to
hear more than I could have ever seen in the gamut.
They say,
western art is more stringent about
perceptions. It infuses in itself an unique character, a projection of
the artist’s mind, his eyes, his thoughts captured in the brush strokes and
only that, a particular perception is what a viewer can see. On the contrary,
it is the eastern form which is said to be more liberal, to an extent, you can
walk into the scenario and touch the elements, move into, expand, contract,
evolve, shine and yet see what the artist has depicted.
Madness? Can
you tell me why a work tagged as ‘violent’, ‘sabotage’ one day becomes a
masterpiece? Jackson Pollock, a genius , his works, from the frame is a merely
a mad man’s whims, extremely violent strokes of a brush but a voice through it
screams, with glassy eyes having red corners, adrenaline splurges through the
spectrum, a strange schizophrenic magnet draws you to the ruins of the scarred
mind.
Tagore,
Rabindranath Tagore, his expertise of joining the scratched off areas of his
poems into figurines and structures made a huge impact on the modern art. What
was there beneath those which most people failed to understand? Calm answers fitting to our everyday
questions. He, an epitome of balance of all the entities of human being, has
answered us, spoken about love, lust, life, separation, betrayal, violence
through his paintings.
So, is it
still different? The west and the east? Do they still speak commotion or you
can see unison now? It is this, one voice each painting will have, is what the
painter could say, his mysteries, his thoughts, his joy, his sorrows and it’s
in you how you will discover him, through years, through generations, through
originals , through the fake ones even. Why do you think then historians still
wonder if Da Vinci’s ‘Monalisa’ was a girl or a self-portrayal?
Painters
have spelt war,revolutions. They have
uttered love, motherhood, birth, the child. The color red got the voice of
love, the colour black became the tear, green was peace, blue they said was the
color of the royal blood. They took to their brushes and the canvas spoke all
of these. From a Jamini Roy to a Frida Kahlo, they were loud, subtle, sublime
yet not silent, ever.
Andy Warhol,
creator of pop art based on commercial products and cultural icons, also opened
up his darker side through, ‘Death and Disaster’. Condemned to be accepted later,
this created ripples across the vista of colours.
Gustav Klimt
talked of the very nature of female body, its grace, from her tear spread face to
the poignancy of her child-bearing belly through his sketches, murals. ‘The
hermitage at Pontoise’ by Camille Pissarro, a perfect voice of neo-impression,
a regular scenario of village roads etched to speak to the generations about
the sacred hermit.
There are
examples galore, closer home R.K.Laxman’s caricature of the common man has
become the face of the voice that today’s common man speaks. A Hussein would
still make a beat skip, a voice of beauty, of poetry. Only the nonchalant mind
would not care to see the finesse brought by his expert strokes.
Painters
have their own weapon, own utensils, own world in those splurged tubes, fresh
wood, rubbed off crayons, old brushes and some tarpaulin or coal. They sit by
the wooden stand and draw, people, trees, living, non-living and the thoughts.
They paint lullabies, prose, verse and epics. They bring people’s rage to boil;
they can also calm the air. All they do is utter a few words, neatly or fuzzily
decorated with the colours they had chosen to express.
This echo
not only resonates among some eminent people who created masterpieces but might
also manifest itself in the child you know, enthusiastic about its colouring
book. He must have to say something about why he coloured the sky red!
Sudeshna
expression, is always beautiful. whether in colours or in words or in movement. it is in us whether we admire the beauty we may or may not understand or naively let it pass us by like a subtle day of the summer.
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